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Stacey Hendricks | PentecostalTheology.com



This is so beyond Cinderella it’s not even funny. Disney has come up with a new cartoon about a teenager who, in their words, “finds herself stuck in the Demon Realm and battles the forces of evil alongside a rebellious witch and a pint-sized warrior.”
Deedee Keith
Wow disgusting!!
Dianne Stelly
Mother’s And Father’s Need’s To read this, Our Children need us as Parent’s to watch and be Careful,
Anderson Farms
Why we don’t have world tv!… Bad enough they make pervert cartoons an most parents think it’s ok. Why my kids not allowed at anyone’s house. Just never know what people think is ok.
Brenda King
Disney going to hades….they did have a movie awhile back where two of the animated objects were portrayed as gay and in love
Dy Gist
Don’t let your children watch Disney.
Mering Albas
May God stop such mental corruption to our kids. In Jesus mighty name. God bless and protect the children.
Dorrie DeMoss
there are such things as witches.
Shirley Walker
Shame on Disney ~
Allen Vandewarker
Disney is also involved in Child Sex Pedophilia.
Laura Collins Jarvis
I sorta think the Disney demon realm and real demons dont have much in common. That girl character I am POSITIVE cant show anyone how to be a witch. I have known witches. They are not anything like this show..
Aileen Yu Sipaco
True
Donna Johnson
Stay away
Lucy Irvine
Yea I doubt that. I think Disney wants to get money by creating popular tv shows not teach kids how to be witches
Scottie Toleratethis
Disney Demonology,..
Troy Day
While it is tempting to dismiss this new Disney cartoon as merely a reimagining of the classic Cinderella narrative, it is crucial to recognize the profound thematic shifts that the creators have undertaken. By situating a teenage protagonist in a fantastical realm, battling evil forces alongside unconventional allies, the narrative seems to eschew traditional romantic tropes in favor of empowerment and self-discovery. This pivot away from passive princess archetypes towards more dynamic characters reflects contemporary cultural values that prioritize agency and resilience, challenging audiences to reconsider their expectations of animated storytelling. However, one must also critique whether such narratives risk commodifying rebellion and empowerment for commercial gain rather than fostering genuine representation or substantive discourse on these themes.